OH MY GOD. YOU ALL NEED TO WATCH THIS.
I DIDN’T EVEN SUSPECT THAT OR SEE THAT COMING OH MY FUCKING GOD
You need to see it.
I actually saw it coming.
I knew it was gonna be about an incestuous book or movie, but actually not this one.
"Ghostbusters" starring Mindy Kaling, America Ferrera, Aubrey Plaza, and Rebel Wilson
//This began the rise of Aperture Science.
yo what the fuck is this made out of
It’s basically spray-on Kevlar. Polyurethanes, if you want the materials science term. “Fancy super-durable artificial stretchy fiber stuff” if you don’t.
If you cant attend life drawing sessions. This is the best thing for you
Let me show you something I recently found : Croquis Cafe!
You get to see models of different colors and shapes in a life drawing setting. They move and breath while posing (breathing like in real life :O) ambient music is playing in the background and you have 1, 2 and 5 minute sessions. I find it very helpful , you should try it.
Marvel’s Chris trifecta
Jennifer Hale takes the ALS ice bucket challenge.
We have the best storyboards. No one comes close.
ARE YOU FUCKING SERIOUS
THAT WAS WHAT IT WAS WHAT WHAAAAAAAAAT
oh my freaking lord
I CAN’T BELIEVE THIS SHIT
MY BB BOLIN <3
Don’t miss Book 3’s incredible conclusion this Friday at 12pm EST on nick.com!
look , i literally can’t stress how cute this deleted parks and rec scene is and im about to lose my fucking shit.
Im in love with Chris Pratt
Nope. But the real story is better. Bolding mine:
The late Ruth Thompson, a cell painter on “Snow White” who later became a multiplane scene planner, recalled: “We tried everything - airbrush, drybrush, even lipstick and rouge, which is perhaps the basis for the legend because we did, in fact, try it. But nothing worked.”
The airbrush was difficult to control on such a small area; drybrush was too harsh; lipstick and rouge unwieldy and messy. Everything proved to be impractical and all hope seemed lost to give Snow White her little bit of color when the idea of using a dye was proposed.
Again Ms. Thompson: “Someone suggested a red dye because the blue day we added to give Donald Duck his distinctive sailor-blue never really could be washed off the cell without leaving a bluish stain where the paint had been applied.”
Ever since the mid 30’s when color became the norm for all the cartoons, not just the “Silly Symphonies,” all paints and inks were made at the studio. During this period as well cells were routinely reused for economic reasons, thus the need to wash them off. Apparently Donald’s special blue color was made with a dye added to the usual powdered pigments. “So we tried that.” As the women gathered around in what must have seemed just another dead-end effort, all eyes became fixed on the red dot which soon became a small glow with no perceptible edge. The hushed silence soon gave way to sighs of relief. The method had finally been found. Now the application.
Among the studio’s many inkers (an extremely demanding profession), was one young lady whose training and skill was unique: Helen Ogger. Just being an inker placed one within the elite confines of this most “holy of holies” area of the Nunnery, as the Ink and Paint Department was so called (Walt had strict and quite Victorian views that the sexes not mingle at the workplace, allowing no male personnel save the “gofer” boy and the paymaster “Mr.” Keener to enter this domain of mostly unmarried women ). But Helen was in addition a very fine cartoonist and one of the few women at Disney’s or anywhere else, who could animate.
Such a seemingly insignificant detail (as the cheek colors) might be thought not worthy of special mention (she, as well as the other inkers and painters, was given no screen credit). But when one adds up the number of footage required to be tinted freehand on each individual cell, the hours suddenly turn into weeks and months. In fact, such a treatment was never attempted again on such a scale and even today, the publicity stills from “Snow White,” most of which do not have the added blush, bear witness to how that little touch of extra care adds to the vitality we see on the screen.
The work was done on all close-ups, most medium shots, and even on some long shots. The Queen was also similarly tinted. Hundreds of hours were needed to complete this task, arduous, repetitive and, of course, hard on the eyes. Ultimately a handful of other girls were needed to assist Helen as the clocked ticked toward the deadline.
Helen had to place several cells together on an animation board, one atop the other, just like in the process of animation, in order to get the ‘registration’ right (the spot of red just right in relation to the preceding and following ones) - all of this without any guide. She would work out her own extremes and then ‘animate’ the blush in inbetweens. Her work deserves admiration and gratitude and it is unfortunate that her contribution has remained unknown and her anonymity unaltered during her lifetime. She was paid, as were the rest of the Inkers, $18 a week, which included a half-day on Saturday and the many, many hours of unpaid overtime “Snow White” would require - all given unstintingly, (by everyone involved, it should be added), to a project whose joy in participating was its own reward.
She eventually became head of Inking and Special Effects and even taught classes in animation at the studio. She left in 1941 (apparently part of the terrible strike that would leave the Disney Studio changed forever), taking her skills with her. She died in Glendale in February of 1980. Perhaps it is safe to say that her departure was critical to the abrupt demise of this now unique effect (it was also used, though on a much smaller scale in both “Pinocchio” and “Fantasia”). None of the other inkers or painters were animators and it is this fact, not just the factor of economy nor the changing tastes, which surely must be considered a reason why such details were never attempted again. The golden age was over.
Also, here’s an interesting article about female cel painters at Disney. I am now fascinated by the idea of writing something with a Depression-era cel painter as a protagonist.
I don’t know shit about photography, but the person who took this shot must be given the highest award of them all.
this is breathtaking
Not Nancy Drew, but Jenny LeClue, a new face in the choose-your-own story mystery adventure scene. This is to be a trilogy mystery game series with a rich, involving story and plenty of mystery to satiate your curiosities. The kickstarter has been fully funded however there’s almost two days left to pledge in and get your rewards! With the game Greenlit on Steam as well, the team is set to go and plans on releasing an alpha by Spring 2015. There’s a lot to be discovered in this charming adventure that we look forward to by the beginning of next year!
This woman deserves a round of applause and a throne of gold. This is the most realistic & amazing thing for someone to say for this generation of students. I wasn’t able to go to college this year because my parents can’t afford to send me and I had every scholarship, grant, loan known to man and it still wouldn’t work. Finally someone gets it!
WHAT DOES IT TAKE FOR PEOPLE TO REALIZE THIS?!
SO MANY OTHER COUNTRIES EITHER PAY FOR THEIR POPULATIONS’ EDUCATION OR JUST WRITE OFF THE BILL IF DOESN’T GET PAID FOR.
THE WAY THE AMERICAN EDUCATION SYSTEM WORKS IS BACKWARDS AND MANGLED.